© copyright 2010-2018 by Diana K. Perkins
    I'm occasionally asked, "Why did you write about that?" "What inspired you?"

    In the case of Singing Her Alive, it was a newspaper article that inspired me.  
    Jamie and Kitt Eves had published an article in our local paper, The Chronicle
    about the Elms boarding house. It was simply a small leap of my imagination
    to wonder what kind of tension would be created if, as noted in the article,
    the two women boarders, forced to share a bed either didn't like each others
    company, or perhaps liked it a bit too much... what would be the outcome?  
    What kind of futures would women in the late 1800's have if they chose not
    to marry?

    To prepare for writing this novel, I read a number of books about mill
    workers, mill girls and textile mills. Our Willimantic mills are well documented
    and displayed by the Windham Textile Mill and History Museum.
    Jamie Eves, our town historian and local treasure, is a wealth of information
    as is our other local treasure, Bev York. Another invaluable source for
information about Mill Girls is Carol Buch. Willimantic Industry and Community, a book by our lost
treasure, Thomas R. Beardsley, was also mined for information. A hearty thank you goes out to all of
them for inspiring me and teaching local history.
Additionally I drew authentic details from information available through books and pamphlets about
Lowell Massachusettes Mills.
Personal Philosophy Number One:    Let yourself be surprised.
I have a friend who, upon starting a new book, always reads the last page first.  This annoys me.
I like surprises, I don't want to hear someone recite the storyline of a movie, or give away a
punch line.  Because I like surprises, I try to weave them into my novels.  So the
"*Spoiler Alert", below may give a clever reader some clues to the surprises in store in
Singing Her Alive.  Don't read it if you like surprises.  By the way, my friend likes to
eat dessert first too.
Personal Philosophy Number Two:    Try not to be prejudiced.
All of my life I have read novels like Emma, Wuthering Heights, Romeo and
Juliet and thousands of other romances.  Romances between men and
women.  But these stories, great and small, did not change my nationality, my
race or my sexuality.  Reading novels about other kinds of people only
broadened my view, but they did not change my basic person.  Reading a
novel with gay characters will not, miraculously make a straight person gay.  
Neither will a gay person, like myself, become straight by reading straight
novels. Love, hate, birth, death, all of the larger experiences of life are
universal and we should be able to embrace them with the understanding that
we are all in our core, the same. Reading about those different than ourselves
can only broaden us. And by the way, I knew no other gay people when I was
growing up, I was NOT recruited, nor see anyone in the media that "made me
that way". So the hysteria about gay people on TV, in books or in our schools
is very simply, prejudice.
Jenny's Way, another story about a taboo subject, was inspired by a local legend.  I am still attempting
to determine if there is any truth to the legend.  But, some secrets are too embarassing to reveal, and
even a whole town may conspire to hide them.

Diana's Pool, is a mystery based on another local legend about a local landmark, a lovely pool on the
Natchaug River in Chaplin, Connecticut. Hikers, sunbathers, anglers and illegal swimmers wonder what
happened at this spot. Will we ever know?

Summer Ice, is a story set in Coventry, Connecticut. This story touches on the taboo subject of incest,
when several of the siblings find themselves drawn to one another.  

The Nonprofit Murders is a story set in South Windham, Willimantic and surrounding communities in
2014. This who-done-it opens with the murder of a library worker in the Guilford Smith Library.  

Last on a Match, the sequel to Summer ice is set in Taftville, Norwich/Preston and New York City.  It
follows Felicity White on her journey from small town seamstress to the madhouse and to New York
City as a fashion designer.  Her personal struggles finally find resolution as she enters adulthood.
Acceptance Speech for Runner Up Award at the New England Book
Festival (*spoiler*):
I guess you could call this a revenge novel.
Revenge for the few, depressing novels about gay people that were all I could
find when I was a teen in the sixties.  This was a time when there were no role
models for lesbians, no history and little literature to help me understand and
explore my emerging "unnatural" desires. There were no happy endings for
lesbians. So my first published novel has given me the opportunity to share a
fictional history of one couple who defied the odds and made a happy ending.
There are many reasons that many of the front covers of my novels have roads on them.
One reason is that many of the stories are set in rural areas at a time when people used
dirt roads to get from one place to another, often by walking.

A dirt road is a metaphor for life, we travel down these twisted lanes which have highs
and lows that we must climb or descend. The road might have a blockage that we need
to surmount or a bend that leaves the future deliciously out of view and calls you forward.
It has forks where we must make decisions on which lane to follow. I cannot think of a
better metaphor for life than a country road.

SUMMER ICE, the fourth novel in the series has broken from the rules, it does not have a
rural road on the cover.  Instead it has a feature which is central to the plot.  Check it out!

THE NONPROFIT MURDERS, has an important spot on the cover: the Guilford Smith
Memorial Library where one of the fictional murders takes place.

LAST ON A MATCH has a cover that shows the Norwich Hospital's Administration

The covers also have other little pictures woven into the filigree. These are clues to some
of the story content that will be uncovered as the tale unfolds.
To listen to the  
Wayne Norman
radio interview
Here for Windows
Here for Quicktime
Here for Realplayer
In preparing to write historic fiction novels set in Eastern Connecticut during the 1800s -
1900s, I have read a number of books.  Often earlier research supports later novels, here are
some on my reading list. If you would like more information about these, please contact me.
Singing Her Alive:  Farm to Factory: Women's Letters, 1830-1860 (Dublin)
Life in a New England Milltown (Isaacs)
Willimantic Women: Their Lives and Labors (Beardsley)
Loom & Spindle or Life Among the Early Mill Girls (Robinson)
Jenny's Way: History of the Town of Sprague (Delaney)
Diana's Pool: History of Windham County (Bayles, 1889)
Summer Ice: Historic Sketch of Coventry Connectcut (Peterson, 1912)
Town of Coventry Connecticut, Commemorative Brochure (2012)
Images of America,Coventry (Village Improvement Society).
Last on a Match Sixth in the Shetucket River Milltown
Ten Days in a Madhouse (Bly)
Conscience and Convenience (Rothman)
Taftvillethe Early Years (Dugas)
Taftville, Conn. and the Industrial Revolution (Dugas)

The Lives They Left Behind (Penney & Stastny)

General Research:  How the Other Half Lives (Riis)
The Physiology of New Your Boarding-Houses (Gunn)
The Boardinghouse in Nineteenth-Century America (Gamber)
The Run of the Mill (Dunwell)

The Woman Who Toils (Vorst)

Current Reading: A Modern History of New London County (Marshall)
As some of you know I primarily write in the winter.    
A town for the seventh in the series has not been chosen, it may be in
New London where
the waters of the Shetucket after joining the Quinabaug and Yantic to become the Thames
in Norwich, empty into the Long Island Sound.
My winter writing desk atop the masonry heater
My Winter Desk*
 *Sits atop our masonry heater.  This keeps
me toasty on those chilly winter days and
 nights. Yes, I really do write from this perch.
Recently I was asked where my characters come from.  I
answered flippantly, "from myself".  
Well of course that is true to a degree.  What I should have
said is that my disclaimer in every book reads "This is a
fictional novel.  Any resemblance to actual lives or persons is
accidental and should not be taken as fact."  This is also true,
but occasionally characteristics of interesting people who I've
known might creep into these novels.  I also have a mug
which reads "Please do not annoy the writer.  She may put you
in a book and kill you."  Interpret this as you will.